the logo for icon collective is yellow on a white background .

ICON ALUMNI: MINDCHATTER


Producer, songwriter, and performer, Mindchatter stretches the boundaries of what it means to be an artist by seamlessly blending influences ranging from the Brooklyn rave scene, to Eckhart Tolle’s The Power of Now. 


With a childhood soundtrack of LCD Soundsystem, Stimming, and Richie Hawtin, Mindchatter, aka Bryce Connolly was exposed to an array of genres from a young age. Hailing from New York City, NY, Connolly sites the Brooklyn rave scene, subway, and walks through the neighborhoods as major inspirations for his artistry. 

“I love New York, I love taking the subway- there’s so much inspiration there. You can walk down the street and just see 1000 different facial expressions, and I feel like I really gain a lot of inspiration from just walking around. “

Even with his rich creative background, being a solo artist wasn’t always the plan. After graduating from a four year business school, Connolly began diving deeper into his love of music production, and decided he wanted to become a producer for other artists. A conversation with a friend sparked the idea for him to move to LA for Icon Collective’s flagship music production program, and it was there that the Mindchatter alias was born. 

“Mindchatter was never really on the horizon to be honest- I was going [to Icon] to be a producer. I had always been making music on my computer, making remixes and beats and stuff from a really young age. And then when I got to Icon I started really writing my own music and singing. [Mindchatter] was kind of out of nowhere for me.”

At Icon, Connolly honed his skills as a producer, vocalist, and songwriter, and felt immensely inspired by and drawn to one class in particular: Art of Flow. 

“[Art of Flow is] spiritual, and how to be creative in a spiritual context. Like my artist name is Mindchatter, so obviously there I’m striving for stillness and clarity of mind at all times, and I write about that in my lyrics so there’s so much specific correlation between that class and what I do.”

After graduating from Icon, Connolly moved back to NYC with an arsenal of songs, signed to Mind of a Genius Records , and was soon after invited to join Polo & Pan on their world tour in 2019. While the COVID-19 pandemic in 2020 interrupted certain aspects of his career, Connolly used it as an opportunity to stockpile even more music, and to release his debut 13 track album Imaginary Audience

A few weeks ago we had the opportunity to catch up with Mindchatter before his first ever headline show at The Masonic Lodge at Hollywood Forever where he brought the dance floor to life. We invite you to take a glimpse into Mindchatter’s world in this week’s alumni spotlight. Enjoy!

Join the ICON Collective Newsletter:

MORE ARTICLES FROM THE ICON BLOG

24 Apr, 2024
Crafting a sustainable music career requires clear planning and a solid blueprint. Ensure your music career goals are specific and measurable.
By Florian Radke 06 Dec, 2023
Mastering is the final stage of the music production process, and it can make all the difference between an amateur sounding mix and a professional, radio-ready track. As the last creative step before distribution, mastering polishes a mix and prepares it for the listener's experience across various playback systems. While mixing involves balancing and processing individual tracks, mastering takes a holistic approach. Mastering engineers use specialized tools and global adjustments to enhance the overall sound quality, consistency, and perceived loudness of a song. Their expertise and fresh ears provide an objective perspective on giving mixes the final touches they need. This guide breaks down the art of mastering into "4 C's" - clarity, consistency, color, and clipping/loudness. Understanding these concepts is key to elevating mixes and achieving professional masters. Whether you're a producer looking to DIY master your own tracks or better communicate with mastering engineers, the 4 C's provide a framework for success. I. Clarity Clarity refers to how clearly the listener can hear all the individual elements and details in a mix. It enables the message and emotion of the music to shine through. Mastering should enhance clarity by ensuring nothing obscures the core instruments and vocals. Equalization (EQ) is essential for boosting clarity during mastering. Strategic EQ can attenuate problem frequencies that clutter or mask other elements. For example, a dip at 400-600Hz could tame muddy bass buildup, while a boost at 2-4kHz could increase vocal presence. Subtle EQ moves of 1-2dB can make a notable difference. Multiband compression also helps increase clarity on specific frequency ranges. Compressing the low mids around 300-500Hz can tighten and control muddy resonances, cleaning up the low end. Gentle compression on highs above 10kHz can add sizzle and detail. The key is to compress transparently, avoiding pumping artifacts. Modern mastering tools like iZotope’s Ozone provide dedicated modules for honing clarity. The “Spectral Shaper” applies smoothing EQ to suppress resonances and masking. The “Vintage Tape” module smooths out peaks and enhances punch. Used subtly, these processing tools can work wonders for opening up a dense mix.  A case study in exemplary clarity is the mastering on Daft Punk’s 2013 album “Random Access Memories.” Despite the record’s density of instruments and arrangements, every element shines through in a clean, polished way. The mastering perfectly complements the pristine production quality.
By Florian Radke 01 Dec, 2023
Explore Rick Rubin's minimalist music production ethos, highlighting his work with Johnny Cash and Adele, and how his "less is more" approach revolutionizes music’s emotional impact.

FIND YOUR SOUND, HONE YOUR CRAFT:


Are you ready to turn music into a career? ICON prepares students to become music producers, composers, performers, recording artists, professional DJs, and entrepreneurs in the entertainment industry. Click below to get information about our award-winning programs:

LEARN MORE
Share by: